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A gold cuff resting on a bare forearm, caught mid-stride.
Loose polished gemstones sorted by colour on a jeweller's cloth.

The Fakhri Jewels

Made to be worn out

Gold that survives a commute. We make jewellery for the days you didn’t plan around it — the meeting, the market, the drive back. Pieces sized for a life that doesn’t stop to accommodate them.

Every piece is cut and set in Udaipur, by people we know by name. That proximity is the whole point: we can change a setting on a Tuesday because someone asked.

What we won’t compromise

We don't design around a season, because a stone doesn't know what year it is. A ring bought in Udaipur should still make sense in ten years, worn to a wedding or to work, on a hand that's changed size and mind a dozen times since. So we build slowly and repair for free, because a house that only makes new things has nothing to say when something old comes back through the door. Most of what we know, we learned by fixing what someone else made cheaply. We'd rather you never need us for that.

A hand-drawn ring design pinned above the bench where it was cast.
A single uncut emerald held between two fingers, unset.
A finished necklace laid flat on a workbench beside its setting tools.

Rings, cuffs, chains, studs — worn on ordinary days as much as the big ones.

We believe good jewellery should survive a life, not just a photograph.

No seasons. No drops.

Made to be worn out.

The Udaipur Set laid out on dark stone, six rings and a pair of studs.

The Udaipur Set

Twelve pieces. One stone. Kundan work reset in plain gold bands, so the stone is the only thing doing the talking.

A single ring from the Udaipur Set worn on a hand mid-gesture.

First look, before anyone else

New pieces, first look. Nothing else.